Kraut fusion jams by German krautrock band Eiliff recorded live in Köln 18.10.1972.
Gnod – Easy to Build, Hard to Destroy (2021)
“It’s the sound of an uncompromising devotion to rapture through noise and repetition, a portrait of a band whose anarchic approach and raw intensity any other outfit would be frankly terrified to follow onstage. Captured in the hypnotic rhythmic drive and intimidating atmospheres of tracks like ‘They Live’ and ‘Inner Z’ is a mantric energy which take a jumping-off point from the Krautrock, Japanese rock and underground American psychedelia the band were hammering at the time, as well as the droogy nihilism of The Stooges debut. Yet these feral experiments reach far beyond into a headspace that acknowledges no boundaries, rock orthodoxy or genre constriction.”
Anthroprophh – German Oak (2020)
“Side One is a 17 minute Freak Out / Meltdown / Brain Buzz of a mother fucker – Imagine a star collapsing in upon itself and I reckon you have the sound of German Oak. Side Two is 4 tracks all melded together – 2 tracks of hypnotic minimal electronic bliss meld into a Tacoma like finger picking hoedown before the final track brings the spirit of Skip/Syd/Roky for a hauntingly mesmeric end. STUNNING.”
Tsiolkovski – Molniya (2020)
“Psychedelic Doom From Outer Space. Set the control away from Earth. Monolithic riffs from beyond the galaxy. Motorik patterns flooding space. Vintage amplifiers erupting their glowing magma. Synthesizers blowing solar winds from the outer world. Endless echoes of fuzzy guitars.”
Karaba – Live in Vienna (2020)
“Five young guys from Munich. Skilled and tight on their instruments and deeply rooted in the heritage of all kind of wild forms of jazz, krautrock and psychedelic music. The kids began to jam together when starting to study music in 2012. Being from Munich, a town where legendary Kraut Rock bands like Amon Düül, Guru Guru and Embryo came from, the Karaba guys are obviously influenced by these german kraut and psychedelic sounds.”
Between – And the Waters Opened (1973)
“Peter Michael HAMEL founded BETWEEN, an international band specialised in improvisational / « ethnic » rock music. The name Between comes from the fact that Hamel’s music is originaly “in-between”, always making a combination between “popular music” and “serious music”… “And the waters openened” recorded in 1973 carries on improvisations and acoustic exploration, played in a rather “spacey” rock atmosphere, sometimes closed to krautrock, weird flavour.”
Ibliss – Supernova (1972)
“A key band in the early history of Kraftwerk, Ibliss featured pre-Kraftwerk Organisation members, and Andreas Hohmann the original Kraftwerk drummer. They played heavy trippy Krautrock fusion with the accent on percussion.”
Niagara – S.U.B. (1972)
“Munich supergroup project fronted by Klaus Weiss. Klaus had become fascinated with the possibility of creating a drum orchestra out of the wealth of Munich rock and jazz drummers, and thus Niagara was born featuring percussionists from all backgrounds.”
Kombynat Robotron – Dickfehler Studio Treffen I (2020)
“Kombynat Robotron is a four-piece, heavy freak-out, Krautrock Band hailing from Kiel, Germany. All four band members play in other bands and met for a jam in April 2018. After that they decided to form a band but to just keep on jamming instead of writing songs. In June of that year the band recorded several sessions that were released under the names Modul 12 and Modul 13 on tape and via Bandcamp. Their ‘Robotronic’ music features a wide range of influences due to the different sonic backgrounds of the band members; Krautrock-grooves that smoothly evolve from outer-space spheres into psychedelic and stoner-rock vibes and back to Krautrock.”
Kungens Män – Trappmusik (2020)
“Kungens Män are rooted in the psychedelic/drone rock tradition of bands such as Träd, Gräs & Stenar, but also add influences from krautrock, shoegaze, noiserock and free jazz.”