Edena Gardens – Quintessence (2026)

“Edena Gardens unleash their most expansive work to date. Quintessence is structured in 4 parts as a Magnum Opus—the ancient alchemical process of transformation. But this is not a work of high fantasy. It is a seismic meditation. A study of deep time, weighted matter, and the crushing gravity of change. Quintessence is massive. 79+ minutes of tethered magnitude, carved into six sprawling tracks. The trio pushes further down into the void, discovering new dimensions. Each piece allow the form to stretch. To break its own boundaries. Shifting terrains and unpredictable geometry. The core remains unhurried: A slow, relentless, unabridged crawl. This sort of alchemy demands patience, allowing every sonic mutation to breathe, shift, and solidify in a new atmosphere.”

Papir – IX (2025)

“IX is the latest offering from Copenhagen’s foremost aural travellers. It’s wide open in every sense; from the flowing compositions – which linger but never overstay, jam and unfold organically – to the wonderful airy production, you get the sense of being both in studio with the band and simultaneously on the beach with wind blowing through your hair. Papir have long since perfected their trademark melange of melodic psychedelic rock, ambient meanderings and guitar freakouts, and IX is the latest in a never-miss catalog of releases.”

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Smote – Clyppan (2025)

“‘Clyppan’ is an Old English verb meaning “to embrace” or “to clasp.” It also referred to an ancient ritual in which people gathered in a circle, singing together around a sacred shrine. It’s a fitting title for the latest release from Newcastle’s Smote – a visceral document of the band’s electrifying live set, captured within the walls of London’s Bear Bites Horse recording studio… What emerged is ‘Clyppan’ – four drone-and-repetition driven incantations, distilled from the primal essence of Smote’s sound. These tracks channel something ancient and urgent, summoning spirits and revelations in their wake. It’s music as ritual, as invocation – pure aural sorcery. So gather together. Form a circle. Join hands. And embrace the ecstatic, untamed energy of Smote in their most untethered and primal form.”

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Mantra Machine – Echoes Forest (2026)

“Echoes Forest (2026), Mantra Machines third record, marks a more earthbound exploration. Venturing into the depths of ancient forests, this is a psychedelic journey that moves its listeners into more cinematic, inward-looking territory. Mantra Machine brings heavy, hypnotic grooves and immersive soundscapes with a fresh, modern twist on psychedelic rock. This Dutch three-piece band crafts instrumental jams that blend driving guitars, fuzz-drenched bass, and dynamic drums with layered synth atmospheres.”

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Gnod & White Hills – Drop Out III (2025)

“Drop Out III is billed as a ‘director’s cut’ edition of Drop Out, the original 2009 collaboration between Mancunian psychedelic rock outfit Gnod and NYC counterparts White Hills which gave rise to a series of spin-off records and has been influential on the wider genre in the fifteen years since, owing to its cosmic concoction of space/krautrock with influences from drone, heavy psych, post-rock, prog, and beyond. Features expanded and revised versions of songs plus unreleased material, serving as a definitive edition of standout release in both group’s discographies.”

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André Drage – Wolves (2025)

“Compared to the lush electronic and instrumental waves of Journeyman, his next album Wolves showcases an entirely new and ferocious approach to his trademark sound. Packed with complex, experimental, and intensely rhythmic rock like that found in the highly influential music of King Crimson and Frank Zappa, it also trawls through the dustier crates of prog rock history. Fans of late ’60s and ’70s outliers will find plenty to love from the heavy acid grooves of Amon Düül II to the intricate, jazz infused guitar work and shifting time signatures of The Mahavishnu Orchestra.”

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Colosseum – Live at Montreux 1969 (2023)

“Colosseum’s only performance at the prestigious Montreux Rose D’Or festival presented in superior quality. Taken from the official master tapes, this is the first vinyl release to capture the original Colosseum line-up performing at Montreux in best quality sound. Experience James Litherland, Dick Heckstall-Smith, Tony Reeves, Dave Greenslade and bandleader Jon Hiseman wowing the crowd with their innovative jazz/rock fusion.”

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