Category: krautrock

Korb & EHAA – From the Mountains to the Oceans (2022)

“‘From the Mountains to the Oceans’ is the culmination of collaborative experimental transatlantic jams between Korb and El Hombre Al Agua. From minimal atmospheric ambience to all out psych rock the album combines a range of analogue synths, electric and acoustic guitars, organ, bass, drums and percussion to create cosmic journeys that evoke evolution and ancient landscapes, the alchemy of elements and timeless tectonics.”

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Kombynat Robotron – Dickfehler Studio Treffen II (2022)

“Get ready for blast off…those German psychonauts, Kombynat Robotron are back on Drone Rock Records with another slab of far-out, cosmic space-rock, ‘Dickfehler Studio Treffen II’… The first Dickfehler Session went down a storm with customers and reviewers alike and this follow-up record continues where volume I left off with more extended krautrocky (if that isn’t a word, it should be!) jams and deep sonic explorations. Like I said, get ready for blast off, and prepare yourself for a psychedelic trip into the depths of the kosmische cosmos.”

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Papir – 7 (2022)

“Many aspects of Papir’s music seem to have much in common with the sea – be it a wilful association by the Copenhagen-based trio or not. Their output moves in waves, sometimes fierce and blustery, sometimes gentle and calming, but always performed with unforced, organic talent. Over the course of their 7 full-length albums, the band sways between psychedelic guitar meltdowns and long atmospheric passages with grace and ease. 7, with its blurred aquatic cover artwork is of course no exception to this rule, and the album is comprised of four long songs that return to calming waters after 2021’s heavier Jams.”

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Minami Deutsch – Fortune Goodies (2022)

“Everyone has their own imagination about outer space, and each one us gets to daydream about what exactly floats or exists there. ‘Fortune Goodies’ is Minami Deutsch’s long-awaited 3rd studio album and an encyclopaedia of Krautrock, as band leader Kyotaro Miula describes it. While not all the songs on the record function as straightforward Krautrock this time around, they still manage to capture the spirit and heart of the genre. After relocating from Tokyo to Berlin, Miula’s musical vocabulary has greatly expanded, thus resulting in this ultimate Japanese take on cosmic music in 2022.”

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London Odense Ensemble – Jaiyede Sessions Vol. 1 (2022)

“In recent years London has become an epicenter for experimental, visionary jazz. On this unique session, two of the finest exponents of the London jazz scene, Tamar Osborn and Al MacSween, join forces with members of the celebrated Danish psychedelic underground – Jonas Munk, Jakob Skøtt and Martin Rude – to create a heady sonic brew. On this first volume of material there’s everything one could hope for in such a collaboration: sonically it summons the free flowing euphoria of Alice Coltrane and Pharoah Sanders’ work in the late 1960s and early 1970s. But there’s also a focus on rhythmic energy and vitality that calls to mind the grooviest krautrock or electric period Miles Davis, as well as a healthy dose of electronic experiments.”

Papir – Jams (2021)

“Jamming has always been an essential part of Papir. Jamming in the rehearsal room, jamming in the studio, collectively jamming live and getting in to a common zone of rocking outbursts, ambient soundscapes, repetitive trances or whatever comes through. Sometimes it can just feel like a hard work of even trying to get into the zone. But mostly it’s just good times and fun, and I guess that’s why we do it. It’s all about musical energy!”

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