Category: jazz fusion

Spook – Spook (2022)

“SPOOK – Dutch for GHOST – is a brand new trio by Simon Segers (De Beren Gieren, Black Flower) on drums, Nicolas Rombouts (Ottla, Dez Mona) on double bass and Filip Wauters (The Wodads, BackBack) on pedal steel and guitar. What started in the summer of 2019 as a one-off meeting has now grown into a fully-fledged collective that breaks the boundaries between improv and composition with intense interplay and sparse themes. The prominent presence of the pedal steel gives SPOOK an allure of “free country” or “post western”. Add some pulsating progrock rhythms and the free spirit and virtuosity of jazz and you capture the unique sound of SPOOK.”

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London Odense Ensemble – Live at Jaiyede Jazz Festival (2023)

“London Odense Ensemble is a powerhouse quintet that combines forces from the Causa Sui/El Paraiso family tree (Jakob Skøtt, Jonas Munk, Martin Rude) with the vibrant, experimental London jazz scene (Tamar Osborn, Al MacSween). On two studio full-lengths, released in 2022 and 2023, they have explored the confluence of psychedelia, improvisation and cosmic jazz. On this set, recorded at the 2021 edition of Denmark’s Jaiyede Jazz Festival, the energy is cranked up another notch or two. Comprised almost entirely of exclusive material not found on the two studio records these three sonic excursions dive head-on into the fiery side of the group’s sound.”

London Odense Ensemble – Jaiyede Sessions Vol. 2 (2023)

“The second instalment from London Odense Ensemble digs deeper into the group’s vision of what modern psychedelic jazz should sound like. Cut from the same sessions as Jaiyede Sessions vol. 1, released last summer, vol. 2 presents a more nuanced approach to the material. On this set the ensemble focuses on shorter, layered pieces – travelling from deep spiritual jazz grooves to gorgeous free-flowing minimalism to full-on acid jazz. There’s echo-drenched flutes being absorbed into layers of analog synth pads and guitars, bossa beats and double bass sequences merging with electronics. It’s an intoxicating mélange of sounds and styles, spanning wide temporal and geographical distances.”

London Odense Ensemble – Jaiyede Sessions Vol. 1 (2022)

“In recent years London has become an epicenter for experimental, visionary jazz. On this unique session, two of the finest exponents of the London jazz scene, Tamar Osborn and Al MacSween, join forces with members of the celebrated Danish psychedelic underground – Jonas Munk, Jakob Skøtt and Martin Rude – to create a heady sonic brew. On this first volume of material there’s everything one could hope for in such a collaboration: sonically it summons the free flowing euphoria of Alice Coltrane and Pharoah Sanders’ work in the late 1960s and early 1970s. But there’s also a focus on rhythmic energy and vitality that calls to mind the grooviest krautrock or electric period Miles Davis, as well as a healthy dose of electronic experiments.”

Rude Skøtt Osborn Trio – The Virtue of Temperance (2022)

“An improvisation rippling across time and space, merging a river of constantly in flux head-on improv, as well as making room for floating harmonies and studio-wizardry. Playful, experimental and explorative, the trio ventures into a free wash of exotica drenched in deep modal jazz-vibes – with splashes of something more futuristic and modern. But contrary to what the title suggests, there are also roaring waves of energy, sizzling funky grooves to complement the ambient undercurrent. It’s a record akin to the library music of the 60’s and 70’s and an ode to the willful river of experimental moderation. Far in.”

Diagonal – Live in Leeds 2012 (2021)

“A remastered ‘official bootleg’ documenting Diagonal in its second formation – playing live in support of Wolf People in 2012 at the Brudenell Social Club in Leeds. A very different beast to the current band line-up, this Diagonal shared territory with the likes of Magma and ‘Red’ era King Crimson. Hot from the release of their second album ‘The Second Mechanism’ Diagonal were in top muscular form, sonically blasting West Yorkshire with unique, pulsating heavy prog.”

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Hedvig Mollestad Trio – Smells Funny (2018)

“When a power trio can share the stage comfortably with the likes of John McLaughlin and Black Sabbath, you know two things: They rock hard, yet provide enough harmonic content and improvisational daring to make it interesting. Norway’s Hedvig Mollestad Trio does precisely that on its sixth album. Recorded live in the studio, Smells Funny is a metal-jazz excursion that often tips into the Sonny Sharrock zone, fueled by Ellen Brekken’s rumbling bass, Ivar Loe Bjørnstad’s insistent pulse and Mollestad’s hellacious chops and fertile imagination… When Frank Zappa famously said, “Jazz is not dead, it just smells funny,” he was referring to a moldering of the music. The Hedvig Mollestad Trio aims at providing an antidote with this audacious outing.”

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