“In recent years London has become an epicenter for experimental, visionary jazz. On this unique session, two of the finest exponents of the London jazz scene, Tamar Osborn and Al MacSween, join forces with members of the celebrated Danish psychedelic underground – Jonas Munk, Jakob Skøtt and Martin Rude – to create a heady sonic brew. On this first volume of material there’s everything one could hope for in such a collaboration: sonically it summons the free flowing euphoria of Alice Coltrane and Pharoah Sanders’ work in the late 1960s and early 1970s. But there’s also a focus on rhythmic energy and vitality that calls to mind the grooviest krautrock or electric period Miles Davis, as well as a healthy dose of electronic experiments.”
Lastryko – Sesje (2022)
Estrada Orchestra – Playground (2021)
“Sulatron Records is happy to release the ultra spaced out cosmic drone jazz album by one of Estonia’s finest bands!
This album is a complete spaced out Improvisation which could have been performed by the spirits of Sun Ra, John Coltrane and early Tangerine Dream.”
Papir – Jams (2021)
“Jamming has always been an essential part of Papir. Jamming in the rehearsal room, jamming in the studio, collectively jamming live and getting in to a common zone of rocking outbursts, ambient soundscapes, repetitive trances or whatever comes through. Sometimes it can just feel like a hard work of even trying to get into the zone. But mostly it’s just good times and fun, and I guess that’s why we do it. It’s all about musical energy!”
Lastryko – Tętno Pulsu (2019)
Embryo – Bremen 1971 (2003)
Kraut fusion jams by German krautrock band Embryo recorded live in Bremen 23.9.1971.
Eiliff – Close Encounter With Their Third One (1999)
Kraut fusion jams by German krautrock band Eiliff recorded live in Köln 18.10.1972.
Gnod – Easy to Build, Hard to Destroy (2021)
“It’s the sound of an uncompromising devotion to rapture through noise and repetition, a portrait of a band whose anarchic approach and raw intensity any other outfit would be frankly terrified to follow onstage. Captured in the hypnotic rhythmic drive and intimidating atmospheres of tracks like ‘They Live’ and ‘Inner Z’ is a mantric energy which take a jumping-off point from the Krautrock, Japanese rock and underground American psychedelia the band were hammering at the time, as well as the droogy nihilism of The Stooges debut. Yet these feral experiments reach far beyond into a headspace that acknowledges no boundaries, rock orthodoxy or genre constriction.”
Anthroprophh – German Oak (2020)
“Side One is a 17 minute Freak Out / Meltdown / Brain Buzz of a mother fucker – Imagine a star collapsing in upon itself and I reckon you have the sound of German Oak. Side Two is 4 tracks all melded together – 2 tracks of hypnotic minimal electronic bliss meld into a Tacoma like finger picking hoedown before the final track brings the spirit of Skip/Syd/Roky for a hauntingly mesmeric end. STUNNING.”
Tsiolkovski – Molniya (2020)
“Psychedelic Doom From Outer Space. Set the control away from Earth. Monolithic riffs from beyond the galaxy. Motorik patterns flooding space. Vintage amplifiers erupting their glowing magma. Synthesizers blowing solar winds from the outer world. Endless echoes of fuzzy guitars.”