“Koi Pond is epic all on its own. Volcano is all about cosmic grooves, deep often minimal, endless repetitions that slowly evolve into more psyched out blissed out trances. Roper and Arons tight rhythmic foundations create the perfect backdrop for Vogal’s synth improvisations. This is a meditative listen that never gets old, it just keeps grooving on and on forever. Like Neu covering Dark Magus in a Tibetan Monastery.”
“Kraut-funk, coned-out drone rock, and assorted experiments with space and time. Wade through bluesy head-nodders, Italian fuzz contests, interplanetary bleeps and blips, and liberated dance songs for anti-environments.”
“Moon Phantoms is a collaboration between the bands Bardo Pond and Suishou No Fune from Japan. This record (Self-Titled) came about as most of these collaboration records do by two bands doing a tour together, hitting it off and deciding it would be fun to record a session together.”
“Powerhouse hook-up between Mick Flower of Vibracathedral Orchestra and free drummer Chris Corsano. Flower plays a Japan Banjo here, an instrument that’s somewhere between a lap steel and a sitar, with swallowing drones giving way to shredding single note lead work while Corsano speed-thinks his way out of his own skin.”
“The jams recorded here range from the first phase’s free-wheeling deep psychedelia and subterranean sonics to the quiet horror-filmisms of the second phase and the third phase’s experimental rock, taking cues from the motorik voyages of Neu! and the guitar-laced epics of Ash Ra Tempel as well as the fuzz-drenched sounds of cohorts Bardo Pond and Comets on Fire.”
“Galacticka plays waste of space rock. This state of [of the art] groovy apocalyptic audiowaste is achieved by combining classic space rock elements with dark psychedelic sounds and monotonous stoner themes. If the overall sound of Galacticka remains undefined in subjective audiospace, it must be heard in the far reaches of the brain. That IS the point of Galacticka. Use in high dosage levels and let yourself remain in waste of space.”
“Tolmunud Mesipuu means “A dusty beehive”. There are three of them in the band, and speaking of alien languages, such as Estonian, you won’t hear it much at their show. It is purely instrumental music. For some, it is simply mental. TM’s critically acclaimed debut album paints a hypnotic, dissonant and manic landscape – it might as well be forgotten 70’s cult trash movie, which people watch just for the soundtrack.”
“Psychedelic acid rock-band from Japan. High Rise is an explosive power trio comprised of bassist/vocalist asahito nanjo (南条麻人), guitarist Munehiro Narita, and a succession of drummers that has included Yuro Ujiie and Pill in the past and free-improv veteran Shoji Hano at present. High Rise mixes the jazz-influenced improvising of Cream with the brutal amphetamine-inspired rock of Blue Cheer. Narita is one of rock’s unsung guitar players, and his dexterous fingering incites eruptions of pure electric joy in his listeners. The other players are equally stunning in their total commitment to this high energy music that features the freedom of jazz and the power of rock.”
“Psychedelic acid noise-band from Tokyo. Trio composed of Asahito Nanjo, Kawabata Makoto and Koji Shimura. Terminally fuzzed-out and distorted, earth moving riffage and shrieking, eviscerating extended solos with sheer brute force.”
“A lysergic dose of head-trippy, fuzzed out amplifier destruction. Ooooozing walls of blasting fuzz guitar, head-nodding grooves covered in tar and filth…. Krauty, spaced-out, bluesy improv that hits hard. In the same vein as Parson Sound or Can, these guys have really nailed the art of weaving improv in and out of catchy riffs, really sweet.”