Category: psychedelic rock

Colour Haze – Tempel (2006)

“Hailing from Munich, they follow in the tradition of other classic rock trios such as Cream, Grand Funk Railroad and The Jimi Hendrix Experience… Initially, the band seemed to be strongly influenced by the sounds of Black Sabbath… This style later evolved into an unmistakably dry, bass-laden soundscape. Characteristic of this phase is Kogleks’ continual guitar playing between trance-like bass rhythms… further develop this style with longer, more complex song structures, and increasingly strong jam and jazz elements. The results of these experiments were, in part, ridiculously long, complex, and self-referential 20-minute songs.”

Gravitar – You Must First Learn to Draw the Real (1999)

“Michigan free-rock band, founded in 1992 and active until 1999, with a brief reunion in 2002 to promote a special 10-year commemorative box set edition of their CD on Enterruption, “Freedom’s just another word for never getting paid.” Messy, abrasive, loose and at their best transcendent, Gravitar forged an improv-driven path between heavy rock touchstones like the Melvins, Sabbath and Unsane with out-jazz, space rock and psychedelic noise.”

Hash Jar Tempo – Well Oiled (1997)

“In case you hadn’t figured it out yourself, Hash Jar Tempo takes its name from the 70s Kraut rock group Ash Ra Temple. Pretty funny, huh? This pretty much sums up the band: take that Kraut sound and bring it to the future under the guise of epic-length drone, and you have Hash Jar Tempo. Despite the Hash part of the name, the music is not necessarily drug-influenced, but rather, just like with those old Germans, “the drug was the music.” In other words, Hash Jar Tempo is less about seeing where altered states can take you, and more about creating those altered states.”

Tivol – Early Teeth (2005)

“While the “free folk” music boom from Finland has recently grabbed the ears of many of this planet’s less ape-eared, Holy Mountain is more than pleased to extend a hand to the darker— not to mention-more rocking— side of this contemporaneous scene. Tivol plays a throbbing, violent and aggressive strain of acid rock that has nothing to do with subtlety. Their already hypnotic material is further enhanced by screamed vocals that do not seem to emanate from this earth.”

Ulaan Khol – III (2010)

“A project by guitarist and multi-instrumentalist Steven R. Smith. Throughout his career as a solo artist, and through membership with the celebrated ensembles Thuja and Mirza, Steven R. Smith has had a hand in creating some of the most compelling and singular instrumental psychedelic music of the past ten years… As Ulaan Khol, Smith digs in deep with a palette of drums/guitar/organ to craft a monolithic & expansive free form, feedback-heavy atmospheric din that bonds the disparate realms of Fushitsusha and High Rise with Popul Vuh and Flying Saucer Attack.”

Sungod – First Matter (2010)

“FIRST MATTER represents Sungod’s first recorded excursions into the vastness of the inner space. The sonic forms move from driving 70’s psychedelia to desolate western soundscapes and create a cerebral amalgam of heavy riffs, hypnotic drones, and pulsing rhythms. Captured to analog tape, the nature of the sound is organic, warm and intimate. This quality of the recording, combined with the exploratory nature of the music, make the two-piece’s cosmic collection of improvisations and compositions an ideal soundtrack for the altered mind.”

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Buddha Sentenza – Mode 0909 (2009)

“After a seemingly random sonic collision over the city of Heidelberg in later 2008, the constellation of *Buddha Sentenza* began to form during the darkest hours of that cold and silent winter. Deep under the earth, in the hidden bowels of the Klonlabor tunnel complex, the searing strings and pounding drums condensed rapidly to form a nebulous cloud of loosely jammed, spaced-out, rocking riffs. Rotating freely around some of the most ancient soundscapes – from the astral end of the Pink Floyd to the depths of galaxies such as Black Sabbath – Buddha Sentenza has continued to expand, drawing energy from contemporary constellations as well. Thus, its elements follow the trail of early rock psychonauts and modern riffrockers alike, fusing droning riffs, screaming solos and cosmic harmonies into an instrumental sound experience that defies any strict genre boundaries. The result is a texture that combines the raw massiveness of rock with the infinite possibilities of outer space.”

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El Páramo – El Páramo (2008)

“EL PÁRAMO got independent of an elderly Spanish rock band SOU EDIPO in the beginning of 2005. As a four-piece instrumental rock outfit much influenced by stoner rock, heavy metal, and progressive rock, the founding members – Santi (drums), Macón (guitars), Santi Ventreri (bass), and Jorge (guitars) – could make a great success of their first concert in the end of August 2005 under the slogan of inquiry into Stoner Progressive Rock world, obviously different from ADRIFT, Macón and Jorge’s metal band. In September 2008 EL PÁRAMO finally released their eponymous debut album on Alone Records.”

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Samsara Blues Experiment – Long Distance Trip (2010)

“SAMSARA BLUES EXPERIMENT are a Berlin based band, founded in Summer 2007 by leadguitarist/singer Christian Peters… As the band name implies three elemental aspects are to notice – the blues as the fundament where it all comes from, the inclusion of spiritual influences accompanied by Indian/raga music and the experimental approach to mix up varied elements in a convincing manner. The band’s songs are dominated by a playful dual guitar work as well as a passionate blend of heavy psych, stoner and space rock. This is provided with several nuances and transitions in between – quite retro styled, jamming, even sometimes worked out with a repetitive hypnotic touch in the tradition of krautrock.”

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The Vocokesh – …All This And Hieronymus Bosch (2007)

“VOCOKESH arrived on the scene in 1989/90 when Wisconsin/US situated Richard Franecki (guitar, bass, electronics) decided to leave his main project F/i along with Jan Schober (drums) and Steve Zimmerman (electronics)… Similiar to F/i, but more guitar and less electronics dominated, the band covers a variety of styles. The sound can be treated as an avantgarde blend of psychedelic and space. This is often based on blues themes and spiked with kraut rock portions here and there… spacey jams with weird experimental parts.”

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