“Going by the enigmatic code name 35007 (“loose” spelled upside down), Dutch musicians Mark Sponselee (guitar, bass, drums, synths, effects), Bertus Fridael (guitar), Michel Boekhoudt (bass), and Sander Evers (drums) perform ambient trance-groove music of a predominantly instrumental design. Secretive by nature, the group rarely performs live, and when it does, it’s usually with the help of a visual specialist to provide a truly multimedia and multi-sensory experience.”
“SECRET SAUCER is an idea to bring like minded musicians together to play improvised space rock in a studio setting. The band is build up by members of several US psych/space groups like QUARKSPACE, STAR NATION and SUN MACHINE. Steve Taylor and Steve Hayes had already toured with Nik Turner and Daevid Allen… Even though it sounds like well thought-out song compositions the music is purely improvised coupled with some slight krautrock leanings. SECRET SAUCER surely appeals to fans who prefer the psychedelic phase of Porcupine Tree or like to listen to bands with hypnotic moves like Hawkwind, Gong, Man, Oresund Space Collective and Ozric Tentacles.”
“Hailing from the Aschaffenburg region in Germany MY SLEEPING KARMA started in 2005 as a side-project of the stoner rock band ‘The Great Escape’. Some day Seppi (guitar), Steffen (drums) and Matte (bass) started to jam together. In order to style their music more psychedelic keyboarder Norman joined at the end of the year and the line-up was completed thereafter. Soon they had worked out some songs based on the idea to create something which chills and rocks at once… blend of psychedelic, space, stoner and post-rock… MY SLEEPING KARMA are recommended because representing a relatively new and unique facet of the psych/space prog genre.”
“Named after a Kyuss song, Spaceship Landing is a german stoner/psychedelic/70’s inspired rock band. Their 2005 self-titled and self-financed LP is truly impressive. The instrumental sounds just huge, dominating the vocals. On some songs the sound is completed by keyboards/organs and spacecraft beeps.”
“This is free music – all written, shaped, played and produced by the band during 9 months of isolation. Imagine the furious haze of manic Hendrix and Blue Cheer jamming with a young Iggy Pop, recorded and seamlessly layered by krautrockers Can. It’s untamed music picked up from the late 60s, not looking back at zeitgeists and other limitations, picking up different trails on the way, wrapped in a complex, but soundwise warm and simple jacket.”
“Live collaboration of the members of Causa Sui and Coal Hook. Byens Lys 061217 is an imposing mixture of mind-altering, trippy, instrumental, psych, space rock, freakout, fuzz guitar mayhem. A Hawkwind circa ‘brainstorm’ groove with avant-garde overlayering á la early Sunburned Hand turned into an Amon Düül II/Can krautrock kinda feel.”
“Sea Of Tombs features Earthless drummer Mario Rubalcaba (also of Clikatat Ikatowi and Rocket From The Crypt) and delivers a similiar but more primitive version of heavy, sludgy acid-rock… Raw, murky blues-based heavy rock mutated into a rumbling hypno-trance, glazed with unreal amounts of bass and murky fuzz, usually locked into a plodding propulsive dirge that never speeds up all that much and which contributes to the hypnotic brain-haze that these cats administer. Check this out if yer into the heavy, sludgy psych-drug dirges of Earthless, Mammatus, Dead Meadow, and Ahkmed.”
“The Psychic Paramount is Ben Armstrong (bass), Jeff Conaway (drums) and Drew St. Ivany (guitar), three lead instruments individually and together. They make impact a state of being rather than a discrete event. As single-minded as the music may seem at first strike, it exists at higher elevations — of decibel, intensity, motion, color, temperature — and spills freely over the walls of genre, magma into new land. It is punk in its fury, noise in its rash extremity, and progressive in form: small-p pro-gress as a verb, progress progress progress, move move move, forward onward upward. An unceasing coiling in and exploding out. The Psychic Paramount is always moving, and you will feel the wind in the hair between your whitening knuckles.”
“Partially inviting other musicians THTX is a duo project basically formed by guitarist Matthew Smith and percussionist Kerry Gluckman – a jam band with roots in psychedelic and space rock. Both are interested in other genres too which is noticeable here and there. They first met in 2001 at a party in Detroit, soon started to jam together and subsequently recorded a series of eight CDR’s. Their sessions were starting without any preconditions – it is said that even no discussions about the musical direction are allowed. The result manifests in space jams predominantly – but there are avantgarde styled songs too with free jazz leanings where multi-instrumentalist Matthew Smith also plays trumpet, organ and bass… THTX is recommended to fans of rough unpolished spaced out jam music.”
“The band was formed by the end of 2003 in Lima/Peru by Aldo Castillejos (drums), Felix Dextre (bass) plus guitarists Dolmo and Renato Gomez. SERPENTINA SATELITE stands for a krautrock influenced sound oscillating among improvised space rock jams and wild, raw psychedelic elements similar to their fellow countrymen LA IRA DE DIOS. The music is instrumental predominantly, even though Flavio Castillejos joined. He is responsible for poetry and voice whereas his contributions are more like recitative… SERPENTINA SATELITE shouldn’t be missed by space respectively kraut fans but is also interesting for lovers of heavy psych and even stoner rock.”