Category: krautrock

Ashinoa – Sinie Sinie (2019)

“Ashinoa is a krautrock dementia that fans of the genre will recognize. An artistic atavism in the footsteps of the post-Stockhausen generation, a kind of round table of geniuses Klaus Dinger (Kraftwerk, Neu!), Edgar Froese (Tangerine Dream), Schulze (Ash Ra Tempel)… but also a kosmische musik of modern times, with a touch of electronic influences in the most experimental way.”

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Minami Deutsch – Minami Deutsch (2015)

“Their sound is influenced by both their love for Krautrock legends such as Can and Neu!, and the band members being self-professed “repetition freaks” who heavily listen to minimal techno. The music proceeds straightforwardly with the Motorik beat (Hammer beat), devised by Klaus Dinger (Kraftwerk, Neu!), as its central axis. Humorous, yet bizarre Japanese lyrics are whispered over a hard, cold beat that is maniacally repeated, creating a pleasant ambience of electronic pulses drifting in space. Sharp guitar tones reminiscent of Michael Karoli (Can) occasionally explode into fuzz distortion, on the verge of collapse.”

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Krautzone – Kosmische Rituale (2013)

“Krautzone was formed in September 2011 automatic – it just created itself totally spontaneous and autonomous: They met at the moonbase, to spend a nice time together. THE moment came and they decided to play music, so they fired the aggregates, pressed the recording button and improvised on the fly. After this session they all thought it’s like holidays from their actual bands like Electric Moon, Zone Six, The Pancakes.”

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McChurch Soundroom – Delusion (1971)

“MCCHURCH SOUNDROOM is an eclectic psych free blues rock ensemble that has closed relationships with krautrock (in particular with the heavy, stoned jazzy sound of Nosferatu) but also with folkish bands from England (Jethro Tull first era…). Their original LP “Delusison” was released in 1971 on the legendary Pilz label (Popol Vuh, Wallenstein, Witthuser & Westrupp…). This psych folk underground act is now cult.”

Dennis – Hyperthalamus (1975)

“Carsten Bohn was a pilllar of the first wave of German Rock bands. He drummed for the ‘City Preachers’ (1969) , then for ‘Frumpy’ (1970-1972) before creating in 1973, the band ‘Dennis’, named after his son, with ‘Frumpy’ bandmate Thomas Kretschmer. The band’s headquarters was an old village school outside of Hamburg, where the band lived and rehearsed with often-changing line-ups including Manfred Rürup (‘Tommorrow’s Gift’) and Michael Kops on keyboards, Thomas Kretschmer (Ex-Frumpy) on guitar, Klaus Briest (‘Xhol’) and Hans Hartmann on bass, Willi Pape (‘Thirsty Moon’) on sax and flute, Olaf Cassalich (‘Ougenweide’) on percussion and Carsten Bohn on drums & percussion. The music itself was based on collective improvisation, with either a rockier edge or a jazzier feeling, depending on the musicians, recalling ‘Thirsty Moon’ or ‘Tommorrow’s Gift’… The record is highly recommended.”

Message – From Books And Dreams (1973)

“Originally born as a German-British band, the music of MESSAGE oscillates between a substantial heavy rock and a nice folk rock articulated around a range of keyboards arrangements. Their first album was recorded under the direction of the famous musical engineer Dieter Dierks. The result sounds remarkably as British progressive rock of the moment. Very melodic, with a ravishing and an accomplished lyrical sense of composition. Their following album is as great as the previous one, delivering impressive, extended, mainly instrumental heavy/ space rock tracks which can be compared (in some parts) to NEKTAR’s first effort.”

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