“Peter Michael HAMEL founded BETWEEN, an international band specialised in improvisational / « ethnic » rock music. The name Between comes from the fact that Hamel’s music is originaly “in-between”, always making a combination between “popular music” and “serious music”… “And the waters openened” recorded in 1973 carries on improvisations and acoustic exploration, played in a rather “spacey” rock atmosphere, sometimes closed to krautrock, weird flavour.”
Ibliss – Supernova (1972)
“A key band in the early history of Kraftwerk, Ibliss featured pre-Kraftwerk Organisation members, and Andreas Hohmann the original Kraftwerk drummer. They played heavy trippy Krautrock fusion with the accent on percussion.”
Niagara – S.U.B. (1972)
“Munich supergroup project fronted by Klaus Weiss. Klaus had become fascinated with the possibility of creating a drum orchestra out of the wealth of Munich rock and jazz drummers, and thus Niagara was born featuring percussionists from all backgrounds.”
Kombynat Robotron – Dickfehler Studio Treffen I (2020)
“Kombynat Robotron is a four-piece, heavy freak-out, Krautrock Band hailing from Kiel, Germany. All four band members play in other bands and met for a jam in April 2018. After that they decided to form a band but to just keep on jamming instead of writing songs. In June of that year the band recorded several sessions that were released under the names Modul 12 and Modul 13 on tape and via Bandcamp. Their ‘Robotronic’ music features a wide range of influences due to the different sonic backgrounds of the band members; Krautrock-grooves that smoothly evolve from outer-space spheres into psychedelic and stoner-rock vibes and back to Krautrock.”
Hypnodrone Ensemble – Plays Orchestral Favourites (2018)
“A loose collective making ambient spacerock based around the 5 principal players of guitarists Aidan Baker and Eric Quach and drummers Felipe Salazar, David Dunnett, and Jeremie Mortier.”
Acid Rooster – Acid Rooster (2019)
“Acid Rooster is digging deep into the well of far-out psychedelic rock and has created their own dimension of this mind-expanding vibrational brew.”
Sunbirds – Sunbirds (1971)
“International Munich based Krautrock fusion supergroup fronted by Klaus Weiss. They made a dreamy, yet powerful fusion with an abundance of solos, extensively featuring Belgian guitarist Philip Catherine on the debut.”
Space Invaders – Dreadnought (2015)
“SPACE INVADERS is a loose project of members originally being underway with different space and krautrock bands in Germany and Switzerland. It all started in 2009 at the Burg Herzberg Festival where session guitarist Mike Häfliger (SPACENOTE), bass player Paul Pott (ZONE SIX) as well as Dirk Bittner and Dirk Jan Müller of ELECTRIC ORANGE fame came together for some jam experiences. Diverse live gigs followed featuring guests like Mani Neumeier and Damo Suzuki.”
Krautzone – Kosmische Rituale (2013)
“Krautzone was formed in September 2011 automatic – it just created itself totally spontaneous and autonomous: They met at the moonbase, to spend a nice time together. THE moment came and they decided to play music, so they fired the aggregates, pressed the recording button and improvised on the fly. After this session they all thought it’s like holidays from their actual bands like Electric Moon, Zone Six, The Pancakes.”
Dennis – Hyperthalamus (1975)
“Carsten Bohn was a pilllar of the first wave of German Rock bands. He drummed for the ‘City Preachers’ (1969) , then for ‘Frumpy’ (1970-1972) before creating in 1973, the band ‘Dennis’, named after his son, with ‘Frumpy’ bandmate Thomas Kretschmer. The band’s headquarters was an old village school outside of Hamburg, where the band lived and rehearsed with often-changing line-ups including Manfred Rürup (‘Tommorrow’s Gift’) and Michael Kops on keyboards, Thomas Kretschmer (Ex-Frumpy) on guitar, Klaus Briest (‘Xhol’) and Hans Hartmann on bass, Willi Pape (‘Thirsty Moon’) on sax and flute, Olaf Cassalich (‘Ougenweide’) on percussion and Carsten Bohn on drums & percussion. The music itself was based on collective improvisation, with either a rockier edge or a jazzier feeling, depending on the musicians, recalling ‘Thirsty Moon’ or ‘Tommorrow’s Gift’… The record is highly recommended.”