Author: earthless

Fläsket Brinner – Fläsket Brinner (1971)

“If one should try and describe the music they play it usually means emphasizing that it is very influenced by jazz, partly because it is instrumental but also because it is based on improvisation… Fläsket Brinner is, with its mixture of rock, jazz and folk music one of the premier representatives of the musically interesting period of prog music – a sound that lasts till today.”

Kandodo / McBain – Lost Chants / Last Chance (2016)

“A meeting of like minds surfing the sonic highways to tonal oblivion. These four castaways on Sonic Island have delivered an album that evokes the long lost and revered genre “Drug-Rock” a true mind melt of acid abandonment! Tab-era Monster Magnet, Sessions Era-The Heads—purely visceral and pummelling workouts of a krautrock and pschedelische.”

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Kanaan – Windborne (2018)

“Oslo based trio Kanaan quickly established themselves as one of the most important groups in the youngest generation of psychedelic impro-rockers. As accomplished players – all three educated in jazz – they marry fiery energy with musical intricacy, and possess a rare ability to balance power and delicateness. They devote as much energy to exploring airiness and atmosphere as they do to intensity.”

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Ashinoa – Sinie Sinie (2019)

“Ashinoa is a krautrock dementia that fans of the genre will recognize. An artistic atavism in the footsteps of the post-Stockhausen generation, a kind of round table of geniuses Klaus Dinger (Kraftwerk, Neu!), Edgar Froese (Tangerine Dream), Schulze (Ash Ra Tempel)… but also a kosmische musik of modern times, with a touch of electronic influences in the most experimental way.”

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