The Re-Stoned – Analog (2011)

“The Moscow-based instrumental power-trio THE RE-STONED is usually associated with the local “stoner rock” scene, not because their music can only be appreciated by inveterate weedeaters but because of its heavily fuzzed sound and reliance on muscular riffing in golden 70’s style. Ilya Lipkin (guitars), Vladimir Nikulin (bass) and Andrei Pankratov (drums) leans on a combination of bluesy guitar-drenched textures and spacy, almost psychedelic jam-meandering trips, but the most important thing is their great skill at creating melodies so that you get really caught without any vocal hooks. This one is a great thing, whether you are “stoned”, “re-stoned” or not. Riffing is the essential of each song, but the band are not shredders of the simple boogie rock power of raw. Classic rock, blues-rock, traditional doom and stoner enthusiasts, and everyone else who appreciates original and challenging hard-rock music will like THE RE-STONED.”

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Brian Ellis Group – Live at the Casbah (2011)

“Brian Ellis is a multi-instrumentalist from San Diego, CA, best known for his work as lead guitarist in the psych/prog band ASTRA. Having very little time for a proper rehearsal, the decision was made to play completely improvised sets, heavily influenced by early 70s fusion from Miles Davis, Mahavishnu Orchestra, Tony Williams, Soft Machine and Magma, the afro beat rhythms of Nigerian legends Fela Kuti and Tony Allen, as well as the intensity of heavy modern jam bands like Earthless and Acid Mothers Tempel. The result is a unique, forward-thinking blending of sounds that is virtually unheard of from modern bands, paying homage to it’s influences while never being derivative.”

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Magical Unicellular Music – Inconceivable (2009)

“Magical Unicellular Music Of Solntsetsvety appeared as a result of a successful experiment, during which Solntsetsvety (transcontinental artistic group) decided to try and transfer the qualities of the mechanical beat to the entire band. Turned out that music, thus devoid of structure and theme attains special expressiveness. Because of the ever-changing perception of the musicians and the audience this outwardly monotonous music has an inward development. The band is formed by bass-guitar, guitar, drums, radiotuner, sometimes keyboard synthesizer is added. The foundation of the V.O.M. sound is the resonance that appears in the course of interaction of intensified sound of guitars and special method of playing drums.”

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Psychedelic Guru – Psychedelic Meditation (2010)

“Non-stop psychedelic guitar solos. 2 different improvised solos play simultaneously, panned left and right. Unedited and uncut for your aural psychedelia. Recommended if you like: Jimi Hendrix, Frank Zappa, John Frusciante, Omar Rodriguez-Lopez, and LONG guitar solos. For stoners and hippies. Light up, sit back, relax, and enjoy the meditation.”

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Birth Control – Live (1974)

“Birth Control’s straightforward progressive rock sound is perfectly demonstrated on Birth Control Live, recorded in June 1974… The best example of their early-’70s sound can be found on the 15 minutes of “Back from Hell” and on the even longer “Gamma Ray” combining an entertaining mix of improvised guitar and keyboard interplay that wonderfully stretches itself out.”

Pink Fairies – Finland Freakout 1971 (2008)

“The first European excursion for The Pink Fairies saw them blowing amps, money and minds at the three-day Ruisrock Festival in Turku, Northern Finland in 1971. Recorded by the state radio station, the three-piece, now without Twink, consisted of Russell Hunter on drums, Paul Rudolph on guitar and vocals, and Duncan Sanderson on bass. Unleashing heavy, acid-drenched jams on the audience, beginning with a blistering attack on The Beatles’ psych classic Tomorrow Never Knows, the Fairies must have blown away the opposition – Juicy Lucy, Jeff Beck, Canned Heat and Fairport Convention – with sheer force.”

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