“Pyramidal is a Psychedelic / Space-Rock band from Alicante, Spain. Their influences come from progressive and hard rock bands of the 70s such as Hawkwind, Can, Black Sabbath, Amon Duul II, Captain Beyond or Ash Ra Tempel. Born in 2010, Pyramidal’s members have a long career within the hard rock, stoner and psychedelic music scene.”
“Someone once called them a “Violent Neu!” and that’s not a bad assessment. However, there is nothing vintage about Kuruucrew’s mix of relentless rock assaults and noisy head-banging cacophony. Neu! and other Krautrock bands of the 70’s are often defined by their experimenting with electronics over a steady motorik drum beat. Kuruucrew takes the same trance-inducing repetitive groove of Krautrock’s motorik and modernizes it into a hardcore rock sensation that grinds your head to a pulp. In addition to the stone solid rhythm section, wailing saxophone lines run through effects pedals from saxophonist Akkun (also from Henrytennis) and flagrant guitar massacres from Murata make Kuruucrew worthy carriers of the Japanoise torch. But be careful when getting lost in Kuruucrew’s music, you may snap out of it to find your ears bleeding and your brain washed.”
“Papir is a krautrock band from Copenhagen, Denmark. Band correctly eschews the traditional pigeonholes of krautrock, prog rock, space rock and stoner rock, while admitting to retaining elements of all these nebulous and intersecting genres. Influences cited by the band include Can and electric Miles Davis (Stundum is semi-improvised, with a few extra layers of guitar and percussion overdubbed onto the frenzied three-piece jams), as well as German guitar legends Manuel Gottsching (specifically the two extended freakouts on the first Ash Ra Tempel album) and Michael Rother (as heard on the crushing and thoroughly atypical early Kraftwerk bootleg K2).”
“Ektroverde is an offshoot of Circle, the musicians change as constantly as the ideas expressed musically in this band. An eclectic combination of krautrock, post-rock, space rock and free-form jazz, Ektroverde is marked by it’s long, hypnotic jams and it’s use of homemade electronica – the UFOX air humidifier theremin, vacuum cleaner synth, breadbox guitar amp, and a collection of modular oscillators and such. Think of The Young Gods mingling with the Lotus Eaters, Hawkwind, Los Natas, Colour Haze and the Velvet Underground with a bit of Bootsy Collins bass here and there for good measure. A highly recommended listening experience.”
“Tsurubami is yet another side project by the prolific Acid Mothers Temple guitarist Makoto Kawabata, with Temple bassist Hiroshi Higashi and drummer Emi Nobuko… Here are squalling guitars, over-driven basses, feedback, and cacophonous noise. In the maelstrom, which is utter and total, shifting overtones and subtleties are rained on the listener with alarming frequency — and they are heard whether the volume is high or low — creating another layer of density to an already impossible textured quilt of color and amplitude.”
Lo-fi studio jams by Finnish psychedelic space rock band Dark Sun. Recommended for astral travellers.
“ALIEN PLANETSCAPES was the brainchild of space rock veteran Doug Walker who unfortunately died of a heart attack in April 2006. The New York based musician has been a prolific keyboarder with a jazz background showing interest in using an experimental instrumentation consisting of synthesizer and other electronics… ALIEN PLANETSCAPES was founded in 1981 then based on an experimental approach with elements of improvisational rock, free jazz and the Berlin School electronic music represented by Tangerine Dream and Ash Ra Tempel.”
Hotel Wrecking City Traders & Gary Arce (2011)
“It’s a cross-continental collision of sounds. Gary Arce is considered one of the founding figures of desert rock. His laid back, airy tone and improvisatory will have been a key inspiration for bands literally all over the world, and when it comes to jams, there are few guitarists out there who can add as much personality to a piece of music as he can. Apart from working instrumentally, they seem to be driven by completely different musical ideals. The two-song, 20-minute release combines the disparate elements at work in the total three players involved for a double-guitar brew that’s based as much on improvisational noodling as it is on noisy crunch.”
Groovy jams from land of the rising sun. Japanese intensity and craziness mixed with 70’s psychedelic blues.
Amazing band that combines mind-melting psychedelic jams with loud stoner riffs. Think if Earthless went doomy and started producing OM-like meditations.