Category: psychedelic rock

John McLaughlin – Devotion (1970)

“This recording date grew out of sessions Alan Douglas put together, featuring McLaughlin and Larry Young jamming with Jimi Hendrix and Buddy Miles (Billy Rich was the bass player). McLaughlin sounded timid next to Hendrix (none of the material with Hendrix has been officially released), but really comes to life on Devotion. This is arguably one of the finest acid rock albums of all time. McLaughlin is on fire, using fuzzboxes and phasers, over Larry Young’s swirling Hammond B-3, with Billy Rich and Buddy Miles as the rock-solid rhythm section. If you think that McLaughlin’s solo at the end of “Right Off” (from A Tribute to Jack Johnson) is one of the high points of his career, then this is the album for you.”

Flowers Must Die – III (2013)

“These elevating sonic adventures could be compared to the sonic idioms of groups MY BROTHER THE WIND and maybe more rustic incarnations of GÖSTA BERLINGS SAGA and THE SPACIOUS MIND, but the diversity and imagination utilized on the explorations within the frame of neo-classic psych music straits allow them their own identifiable sound, setting the group out of the conventional clone bands. This Swedish underground acid rock also certainly expand the impressionistic boundaries of musical expression from conventional sound structures to the heights of hallucinogenic progressive territories and reaching escape velocity for the planes of Space Rock and beyond.”

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Black Gnod – Innerspace Broadcasts Volume 3 (2012)

“What happens when you put Manchester’s shapechanging Gnod and Barcelos’s fine space-rocking Black Bombaim on the same stage? You get Black Gnod! The Cardinal managed to record this momentous event for posterity, and is now available as one long superjam as part of the Innerspace Broadcast series. Great flipback CD with 3 double sided colour inserts and enough intense sike power contained within to make you see stars!”

El Amor – En Vivo (1971)

“Rock band formed in the late 60’s, first as “Los Pajaros”, and led by Miguel Cardenas. The band was originally from Monterrey, Nuevo Leon, and participated the Youth Festival which was conducted the March 13, 1970 in that city, after receiving outstanding reviews from critics, they decided to try their luck in Mexico City, where they recorded their first LP, which included covers of popular songs at that time.The group renamed as “El Amor” in August 1971 and appear in the popular in a TV show on Sunday in which it was not common invite rock bands. “El Vivo” is their second album, released 1971. The band really crank it up here, with loads of wigged-out fuzz guitar heavily featured on six lengthy tracks of high energy acid rock.”

Siglo Cero – Latinoamerica (1970)

“After The Speakers split in 1969, Humberto Monroy co-founded Siglo cero with Jaime Rodriguez, Mario Renee, Ferdie Fernández and Speaker’s drummer Roberto Fiorilli. Siglo cero was a progressive rock outfit, with major jazz influences. In 1970 they released Festival de la Vida, which was recorded live the 27th of June of the same year at a performance in Bogotá’s Parque Nacional, before 10,000 people.”

Joy – Joy (2012)

“Joy is the newest, loudest tune meltin’ power-trio-trip band to come screaming outta Southern California. Since their formation in 2010 Zachary Oakley (vox, g), Trevor Mast (b), and Taylor Charter (dr) have dialed in a spaced-out-sonic-groove-ride all their own. Their live shows conjure musical spirits of the past in the form of improv-jams and unapologetic volumes and wild stage energy. Fans of Blue Cheer, Cream, Jimi, acid and freestyle-psych take note.”

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