“What happens when you put Manchester’s shapechanging Gnod and Barcelos’s fine space-rocking Black Bombaim on the same stage? You get Black Gnod! The Cardinal managed to record this momentous event for posterity, and is now available as one long superjam as part of the Innerspace Broadcast series. Great flipback CD with 3 double sided colour inserts and enough intense sike power contained within to make you see stars!”
“Atomic Simao is a mixture of psychedelic and space rock. The child of a great wave of 60’s and gets a big inspiration by electronic music of 90’s with a trippy sauce of acid-jazz.”
Psychedelic jam by Australian progressive rock band Blackfeather.
Extended jams by English progressive rock band Camel recorded live ’73-’75.
“You know, there are great guitar trio albums and then there’s San Antonio’s Viola Crayola. This jazzy psych freakout jam album is just remarkable and sounds about 15 years ahead of its time in technique. And fortunately it IS of its era sound-wise. This thing just rips and shreds and wah-wah’s until you collapse from exhaustion. The last 2 minute goofball track allows us to see Viola’s mentor – Mr. Zappa. If these guys released this in 1991, there would be a monthly feature in Guitar Player for him. Unfortunately, Tony Viola died tragically later in 1974. Album is only about 29 minutes long. A bootleg exists.”
“Rock band formed in the late 60’s, first as “Los Pajaros”, and led by Miguel Cardenas. The band was originally from Monterrey, Nuevo Leon, and participated the Youth Festival which was conducted the March 13, 1970 in that city, after receiving outstanding reviews from critics, they decided to try their luck in Mexico City, where they recorded their first LP, which included covers of popular songs at that time.The group renamed as “El Amor” in August 1971 and appear in the popular in a TV show on Sunday in which it was not common invite rock bands. “El Vivo” is their second album, released 1971. The band really crank it up here, with loads of wigged-out fuzz guitar heavily featured on six lengthy tracks of high energy acid rock.”
“After The Speakers split in 1969, Humberto Monroy co-founded Siglo cero with Jaime Rodriguez, Mario Renee, Ferdie Fernández and Speaker’s drummer Roberto Fiorilli. Siglo cero was a progressive rock outfit, with major jazz influences. In 1970 they released Festival de la Vida, which was recorded live the 27th of June of the same year at a performance in Bogotá’s Parque Nacional, before 10,000 people.”