Category: USA

Eidetic Seeing – Eidetic Seeing (2010)

“Eidetic Seeing are serious about psyching you out. Eidetic Seeing is a record that draws you near with its opening spacey drone and sucks you into a vortex, blowing some serious mind chunks in the process, leaving the mind and the body discombobulated on separate planes… Eidetic Seeing don’t fuck around; the record was recorded live in one take, so there is no studio trickery involved… reminiscent of Sabbath’s first record abounds throughout; this is heavy stuff, not for the weak at heart… Eidetic Seeing is not meant to be taken song for song, but to be listened to from beginning to end. Strap in, psych out, and leave no mind behind!”

Bandcamp

Eternal Tapestry & Sun Araw – Night Gallery (2011)

“It’s certainly good music with nothing that wouldn’t theoretically appeal to all outré rock fans. It was recorded completely live, with no overdubs, in one 45-minute session at the University of Texas after the two acts became best buddies during the course of the SXSW Festival. So, it has that rawness that can make many a jam session as electrifying on disc as it would have been when witnessed live. There are delicious swathes of fuzzed-out electric guitars, the kind of unending riff-meets-solo that has become somewhat de facto on the modern-day psych scene. Eternal Tapestry favor a twin-guitar attack, with Nick Bindeman and the appropriately moniker-ed Dewey Mahood Wah segueing in and out of each other’s solos, taking it in turn to try and dazzle with the distorted strings of their axes.”

Over-Gain Optimal Death – Over-Gain Optimal Death (2008)

“Over-Gain Optimal Death, or OGOD, are a heavy psych power trio from Pasadena, California. Playing blown-out overgaining speed-freak-outs, their sound is enveloped in a total nihilist fuzz atmosphere, mating intoxicating pulsing repetition with hyperactive improvisations and out of body guitar solos. Resurrecting US 60s punk and acid-riffage from the likes of Blue Cheer, the Stooges, MC5 and live Hendrix Experience, OGOD also draws greatly on the in-the-red sound aesthetic and high energy of the Japanese Speed Freak trios of the 80s/90s: High Rise, Mainliner, Musica Transonic. OGOD are quickly rising as one of the heaviest psych bands of the U.S.”

Midnite Snake – Midnite Snake (2004)

“Riding the brink of the stoned rock revolution skates the new heroes of thee electric guitar mayhem, Midnite Snake. Bearded and dirty, Midnite Snake is a Pittsburgh power trio that plays instrumental acid rock until death does part. Members are Alexei Plotnicov electric guitar, Jim Lingo electric bass, Paul Quattrone (Modey Lemon greatness) drums and Fog Hog on electric fog.”

Endless Boogie – Twenty Minute Jam Getting Out of the City (2011)

“Meet Endless Boogie, the best-kept secret in New York’s rock scene. They have the best name (taken from John Lee Hooker’s 1971 album), the best onstage vibe and the best head-nodding jams. In a sea of derivative and freshly outfitted young bands, Endless Boogie — with a combined age of 169 and members who count Canned Heat as one of their influences — doesn’t have a big agenda. They just want to rock with you, preferably all night long. “We try boogie sometimes, but boogie’s hard,” says guitarist Jesper Eklow (aka “The Governor”) self-effacingly. “Boogie takes skill and we haven’t honed those skills yet.” The band’s sound is a meltdown of metal, psychedelic and classic rock with a heavy dose of riffage, a kick-ass beat and super-cryptic lyrics.”

Bandcamp

The Great Society Mind Destroyers – The Transcendental Sounds of the Buddha Smile & the Naked Consciousness (2010)

“Great Society Mind Destroyers is a band out of Chicago consisting of heavy pysch Temple Lurkers. Dip into some exceptional manna of fuzz and wahwah gardens while you continue higher journeys. As the band states: As bodies we mimic the ancients and dance at the fire of ruinous civilization. As minds we realize our oneness with the Divine Void and strive to destroy the barriers that prevent us from the perpetual mystic plane.”

Bandcamp

Cave – Hunt Like Devil / Jamz (2006)

“CAVE exists primarily as a means of channeling different states of intoxication into a musical form. CAVE also dabbles in telepathic communication. CAVE believes in no things, just states. Inspiration is derived from the environment, both physical and psychological. CAVE would not exist if it was not necessary for CAVE to exist. CAVE is not interested in where you ended up, only how you got there. CAVE is rock.”

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