“Guru Guru is one of the most notable German Krautrock bands, existing from the late 1960s to the present. The band has had many incarnations over nearly 4 decades. Drummer Mani Neumeier has remained as the only original member. Mani and bassist Uli Trepte came from playing free jazz in the mid 1960’s with pianist Irene Schweizer and the appear on an obscure out of print album under her name shortly before forming Guru Guru in the late 1960’s. They were joined by ex-Agitation Free guitarist Ax Geinrich as a “power trio” that was clearly influenced by Hendrix, Zappa and LSD and perhaps Karlheinz Stockhausen… Guru Guru were looser, more improvisational and noisy than most of the Krautrock bands of that time.”
The Cosmic Jokers – The Cosmic Jokers (1974)
“The COSMIC JOKERS is an extreme musical trip, a unique adventure throw time and space. The music is for a large part improvised with proto-electronic gadgets combined to bluesy & spacey musical sentences built around the talented Manuel Gottsching’s electric guitar style (always spacey and bluesy). This is real German acid music, a ‘music of paradise’, transcending music, breaking of the materialistic world, a protest against the reality.”
Ash Ra Tempel – Ash Ra Tempel (1971)
“One of the most formidable of the German Krautrock groups, ASH RA TEMPEL were a powerful force led by guitarist Manuel GÖTTSCHING, and also included former TANGERINE DREAM drummer Klaus SCHULZE at various points. Their music is very spacy and psychedelic, in the manner popularized by early HAWKWIND and AMON DÜÜL II. The early albums all had basically one track a side, one more powerful and dramatic, the other of a more atmospheric nature. Their albums are all classics; those with Klaus SCHULZE (“Ash Ra Tempel” and “Join Inn”) are the best. ASH RA TEMPEL’s first release is a classic of the space/cosmic genre.”
German Oak – German Oak (1990)
“In the strange Olympic summer of 1972, the Düsseldorf instrumental group (community of 5 hippies / open mind artists) German Oak entered the Luftschutzbunker (or Air Raid Shelter), in order to record their eponymous first self-titled LP. The purpose of recording in a bunker was to recreate the feelings experienced by German soldiers during the Allied invasion of 1944. The strange acoustic conditions in the bunker made the music, which was a series of long, spacious guitar jams, sound distant and filled with echo… By consequence German Oak’s music is very tortured, dark and weird, dominated by heavy, “distorted” guitar solos & rhythms. The background creates “painful” & “ambient” sequences thanks to delay echoes, electronic “fuzzy” noises & repetitive bass lines.”
My Sleeping Karma – My Sleeping Karma (2006)
“Hailing from the Aschaffenburg region in Germany MY SLEEPING KARMA started in 2005 as a side-project of the stoner rock band ‘The Great Escape’. Some day Seppi (guitar), Steffen (drums) and Matte (bass) started to jam together. In order to style their music more psychedelic keyboarder Norman joined at the end of the year and the line-up was completed thereafter. Soon they had worked out some songs based on the idea to create something which chills and rocks at once… blend of psychedelic, space, stoner and post-rock… MY SLEEPING KARMA are recommended because representing a relatively new and unique facet of the psych/space prog genre.”
Spaceship Landing – Spaceship Landing (2005)
“Named after a Kyuss song, Spaceship Landing is a german stoner/psychedelic/70’s inspired rock band. Their 2005 self-titled and self-financed LP is truly impressive. The instrumental sounds just huge, dominating the vocals. On some songs the sound is completed by keyboards/organs and spacecraft beeps.”
Electric Moon – Flaming Lake (2011)
“ELECTRIC MOON came into existence in 2009 – a new project with cosmic traveller Sula Bassana as the driving force. Bassist Komet Lulu, illustrator on top of that and responsible for corporate design and artwork is aboard as well as Pablo Carneval (drums). In 2010 they worked out their debut ‘Lunatics’, released on German Nasoni label and consisting of long spacey trips in the vein of earlier output with Sula Bassana involved, energetic and hypnotic as is well known, however this time with the focus on a more groovy and acid approach.”
Südstern 44 – The Dampfwalze (2006)
“This is a 70-minute-long, psychedelic jam session featuring members of Zone Six and Weltraumstaunen. This CD-R really has only one, really long track of improvised music played with two guitars, bass and drums recorded in 2004. The track begins with a really psychedelic, laid-back and bubbling delay guitar that soon changes into heavy psych/acid guitar jam feast. The musicians jam very tightly without any sing of getting tired or bored and the end result sounds at times like a cross-breeding of Bevis Frond and Marble Sheep… The atmosphere is rather 70’s styled.”