“A classic of the German space genre. Their current music is a combination of Progressive Rock and New Instrumental Music, with touches of Jazz and passages dedicated to an experimentation near to Ambient. Their originality was due to the blend electronic and repetitive musics with a lot of ethnic elements from North Africa, India, etc. Very much like your early ASH RA TEMPEL, GURU GURU type bands except with a cultural influence.”
“The album contains several tracks created through instantaneous free improvisation that did thus not appear on any of Can’s studio albums.”
“German acid rock project. The obscure and underrated “Dawn Defender” from 1976 is constantly mysterious, abstract and experimental, delivering interlocking electronic soundscapes punctuated by electric guitar manipulations and echoing effects. The album was originally released Tony Robinson for Pyramid label. A serious “kosmische” krautrock manifestation, a perfect & strange dreamy-like musical journey throw ultra psych textures. Pretty closed to the Cosmic Jokers (first) and A.R & the machines.”
“An obscure instrumental Krautrock band from the 70s. Ecclectic, psychedelic epic rock with lot of Hammond organs, heavy drums and jamming guitars. Their album Orion Awakes (1973) belongs to Pyramid Records archives. Amazing, catchy improvised free spacey rockin’ trip that can reminds the best efforts delivered by early Pink Floyd, Gila, Dies Irae, Jane.”
“Instrumental improv spacerock extravaganza that can stand proudly alongside better-known works by Ash Ra Tempel, Pink Floyd or Amon Düül II… Gila could jam out the blues with the best of them, but they never found the success that eluded them.”
Side-project from members of Colour Haze. Colour Haze fans will definitely appreciate this album. This is even more experimental, long improvised music played in altered state of mind.
“Hailing from Munich, they follow in the tradition of other classic rock trios such as Cream, Grand Funk Railroad and The Jimi Hendrix Experience… Initially, the band seemed to be strongly influenced by the sounds of Black Sabbath… This style later evolved into an unmistakably dry, bass-laden soundscape. Characteristic of this phase is Kogleks’ continual guitar playing between trance-like bass rhythms… further develop this style with longer, more complex song structures, and increasingly strong jam and jazz elements. The results of these experiments were, in part, ridiculously long, complex, and self-referential 20-minute songs.”
“After a seemingly random sonic collision over the city of Heidelberg in later 2008, the constellation of *Buddha Sentenza* began to form during the darkest hours of that cold and silent winter. Deep under the earth, in the hidden bowels of the Klonlabor tunnel complex, the searing strings and pounding drums condensed rapidly to form a nebulous cloud of loosely jammed, spaced-out, rocking riffs. Rotating freely around some of the most ancient soundscapes – from the astral end of the Pink Floyd to the depths of galaxies such as Black Sabbath – Buddha Sentenza has continued to expand, drawing energy from contemporary constellations as well. Thus, its elements follow the trail of early rock psychonauts and modern riffrockers alike, fusing droning riffs, screaming solos and cosmic harmonies into an instrumental sound experience that defies any strict genre boundaries. The result is a texture that combines the raw massiveness of rock with the infinite possibilities of outer space.”
“SAMSARA BLUES EXPERIMENT are a Berlin based band, founded in Summer 2007 by leadguitarist/singer Christian Peters… As the band name implies three elemental aspects are to notice – the blues as the fundament where it all comes from, the inclusion of spiritual influences accompanied by Indian/raga music and the experimental approach to mix up varied elements in a convincing manner. The band’s songs are dominated by a playful dual guitar work as well as a passionate blend of heavy psych, stoner and space rock. This is provided with several nuances and transitions in between – quite retro styled, jamming, even sometimes worked out with a repetitive hypnotic touch in the tradition of krautrock.”
“Live recordings from June/August 2003 by the trio of Mani Neumeier (drums, percussion), Ax Genrich (guitar), both from 70’s German improv/space rock outfit Guru Guru, and Dave Schmidt (bass) known from Liquid Vision, Zone Six, Sula Bassana & Weltraumstaunen. They jam in the tradition of early Guru Guru and rock out extended instrumental tracks of spontaneously improvised psychedelic spacerock including versions of Guru Guru classics (Stone in, Electric Junk, Next time see you at the Dalai Lhama).”