Author: earthless

Strange – Raw Power (1976)

“Strange is a psychedelic rock band from the 1960s from Orlando, Florida led by Terry R. Brooks. Terry is one of those guitarists who have made the solo his life goal, just like Randy Holden, Jimi Hendrix, Wilburn Burnchette, but not out of narcissism or anything like it just because the instinct of guitar genius allows them, when the muse strikes to improvise and create incredibly personal and unrepeatable weaving of sounds.”

Pärson Sound – Pärson Sound (2001)

“Before to become TRÄD, GRÄS OCH STENAR, this late 60’s Swedish musical collective were first known under the name PÄRSON SOUND and then as INTERNATIONAL HARVESTER. They only published one album with the original formation. This band can easily define the Sweden’s krautrock sound. Not so far from ÄLGARNAS TRÄDGÅRD and CHARLIE & ESDSOR… A brilliant psych album with buzzing drone-ragas and cavernous free rock improvisations.”

Kickbit Information – Bitkicks (1998)

“Pure krautrock gravy from the loins of some of its finest architects, the hairy jazz rock blowout herein being choice enough to even overlook the gristly and distorted warts-and-all recording quality of these never-intended-for-release rehearsal room recordings. Led by Ex-Guru Guru and future Spacebox bassist Uli Trepte, this briefly assembled outfit (which also featured Frumpy’s Carsten Bohn and Thirsty Moon’s Willi Pape) churn out three slabs of classic kraut fusion here in the rawboned and hectic style that Trepte would soon carry forward with Spacebox.”

Group 1850 – Polyandri (1975)

“This Dutch group was one of the earliest Continental European progressive rock bands… Acid rock elements are clearly present in their first albums from the end of 1960’s, and PINK FLOYD’s “Saucerful of Secrets” album has surely been an innovator for them, like to so many other spaced out groups. Their music isn’t an exact copy of their innovator’s sound though, as there is a wide spectrum of different styles merged to the band’s music in custom of psychedelia’s artistic freedom. The overall feeling of the band’s early music is nonrelaxed but not very aggressive, probably pleasing the fans of music describings a cosmic journey within one’s mind… Their mostly instrumental music grew to a larger scope containing strong musical elements.”

Red Octopus – LSDemon (2010)

“Travellin’ down the long, open road of musical open-ness, Red Octopus freely structures their tunes with an inter-ordinary mold of electric, near-drowning bass and guitar, framed around lead-filled, powerfull drumming. The trio currently are uniquely stamping their trade as a surly band of psych-cultivators, while carousing carelessly in the new up-coming underground psychedelic-rock scene. Early Sabbath is surely a no-miss influence amongst Spencer(dr), Bill(b) and Gabe(gtr), however 70’s kraut rock outfit, Can, is guaranteed a taste Red Octopus uses to fancy their heavy-psych palette. They sound as if warlord legends, Hawkwind were spiritually lending inspiration, while UK kings, Budgie tends to fight through the riffs to aid in ear-splitting shredliness. Having opened for like-minded bands, Earthless and Astra, Red Octopus is genuinely a band who wants nothing other than to perform live and nothing short of slowing down.”

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