The Entrance Band

“Heavy psych gem, a thick low slung bass groove, and ethereal vocals, over chugging guitars, and wild loose drumming, and dense squalls of rad effects heavy shredding, totally drugged out, droney, dreamy psychedelic bliss. The ‘verses’ woozy and slithery, the melodies spidery, the guitars droney and shimmery, slipping into a stretch of muted chuggery before exploding into some epic, soaring, wah wah guitar driven space-psych shred, the rare sort of jammed out heaviness that we could listen to forever…”

Latitudes (2012)

Fine Flow (2012)

Sylvester Anfang II

“Continuous jamming, during which the band zoned out and unfurled some gorgeous sprawling psychedelic krautrock flecked jams, jams that seemed to gradually evolve into hazy drugged out ragas, all woozy bass lines, simple motorik drumming, wheezing organs, spidery guitars, and soft hazy clouds of effects, everything blurred and smeared into gauzy expanses of minimal ritualistic drift. But the magic of SAII is that for all of their abstract drug rock exploration, they’re also masters of freaked out psychedelic space rock blissout…”

Sylvester Anfang II (2009)

Commune Cassetten (2010)

Live Op de Braderie (2010)

Buda Rehearsals (2011)

Latitudes (2012)

Perzische Tapijten (2012)

Kollektiv

“Our music has a structure which is simpler than it’s used to be in jazz, instead we pay more attention to tones and moods. It’s predominantly improvised music what we’re doing. Even most of the themes and determined parts are originally based on improvisation. We broaden the common range of tone colours by using sometimes a rather strong electronic alienation of guitar, flute or saxophone. According to our experience our music is well appreciated by both jazz and rock fans since each of them can find sufficient elements of their preferred style respectively…”

Kollektiv (1973)

SWF-Sessions Volume 5 (1973)

Live (1973)

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