“For their 3rd album, Abunai! took some of their best recorded jams and improv sessions and strung together a ‘Tago Mago’-inspired tapestry of deep, flowing psych-rock and space madness. Great sounds for driving, or for mapping inner-world topographies.”
Khmury – Live in Avant (2010)
“Instrumental set than soon yields to a decelerating passage than recalls the Twin Peaks theme, deliberately or not, lightly enough that it owns the musical passage but also with enough atmosphere to put you straight into the surreal headspace of Lynch’s pine forests complete with a chilly tension… swirl, pummel, soar and pound past in a pretty triumphant mix of post-rock and a range of harder stuff that feels good to bang your head into… sound of an overdriven amp and the most guttural Sabbath worshipping punishment capable of being dealt out by the band, with more of that savage lead guitar work crawling and scrawling across it’s face… hyperblast cosmic carnage, taking in some classic rock riffs, fills and some bad-ass basslines, all captured crystal clear off the desk and synched to perfection.”
Comets On Fire – Blue Cathedral (2004)
“Comets on Fire are psychedelic rock band that have a heavy emphasis on the ‘rock’ part of the equation… At this point they sounded like noisy proto-metal, heavily influenced by The Stooges, MC5, Black Sabbath, and Hawkwind… Their music is very jam based and loose but it rarely meanders and gets boring. They also use the echoplex frequently, adding to their spacey sound. Any fans of space rock, especially Hawkwind and Acid Mothers Temple, should give Comets on Fire a try. Those who want some trippy prog rock, but with a powerful drive and sludgy riffs should also apply.”
The Bevis Frond – Acid Jam (1988)
“Jam sessions recorded with various people around 1988. Includes a long improvisation with the Outskirts of Infinity, a Jam with Martin Crowley and mates, and a Bevis solo piece.”
Live Experience Band – Tribute to Jimi Hendrix (1971)
Tribute to Jimi Hendrix by Peet Shaw and his Live Experience Band in form of noisy acid jams. Wah-wah freak out!
Peter Green – The End of the Game (1970)
“Peter Green (born Peter Allen Greenbaum on 29 October 1946 in London, England) is an influential blues guitarist and founder of Fleetwood Mac and Peter Green Splinter Group…. From 1970 to 1974, Peter played some sessions, and worked with several small bands, as well as releasing two solo singles and an album of extended jams, The End of the Game.”
Renzoku Shasatsuma – 1978.3.26 Shibuya Yaneura (2001)
“Power trio from Kyoto, Japan that released a live LP called “Shibuya Yaneura” recorded on March 26th 1978.”
Sweet Smoke – Just A Poke (1970)
“Their music is one of the most loosely arranged happy-hippy-rock, very “jammy” as well as being very jazz-tinged also. Their average tune was 20 min long.”
Cream – Sun Vanishes (1999)
Heaviest and trippiest Cream live album recorded October 15th, 1967 on Grande Ballroom, Detroit. Lots of feedback and solos. Freak Out!
Food Brain – Social Gathering (1970)
Social Gathering by Food Brain is a 1970 one-off jam record by a Japanese psych/prog “supergroup” consisting of guitarist Shinki Chen (Speed, Glue & Shinki), bassist Luis Kabe (The Golden Cups), organist Hiro Yanagida (Apryl Fool), and drummer Hiro Tsunada (Strawberry Path).”