“Collosal slabs of kraut-infused mono-chord space rock with heavily distorted and phased guitars, psych-glissando solos and deep delay theremin oscillations.”
Gdeva – Bubbles, Bubbles… (2006)
“Known among local instrumental music lovers for a great deal of improvisation in their live shows, the concept behind the band is never make the same composition twice and try to do something different every time the trio get together… band tries to explore prog-rock territories while routing the map of late-60s and early-70s psychodelia by using decrepit vintage musical equipment… all recorded live-in-the-studio with no overdubs… This young band could easily turn into one of the greatest space-kraut-prog-psyche outfits you’ve probably never heard of.”
Cave – Hunt Like Devil / Jamz (2006)
“CAVE exists primarily as a means of channeling different states of intoxication into a musical form. CAVE also dabbles in telepathic communication. CAVE believes in no things, just states. Inspiration is derived from the environment, both physical and psychological. CAVE would not exist if it was not necessary for CAVE to exist. CAVE is not interested in where you ended up, only how you got there. CAVE is rock.”
Same Road – Sensem Przekaźnika Jest Przekaz (2011)
“Fuzzy/spacey guitar and bass sound. Recorded in big rooms with natural echo. Inspired by krautrock, noise, psychedelic, minimal rock. Mostly long jammy tracks.”
Agitation Free – Malesch (1972)
“A classic of the German space genre. Their current music is a combination of Progressive Rock and New Instrumental Music, with touches of Jazz and passages dedicated to an experimentation near to Ambient. Their originality was due to the blend electronic and repetitive musics with a lot of ethnic elements from North Africa, India, etc. Very much like your early ASH RA TEMPEL, GURU GURU type bands except with a cultural influence.”
Can – Music (Live 1971-1977) (1999)
“The album contains several tracks created through instantaneous free improvisation that did thus not appear on any of Can’s studio albums.”
Pyramid – Pyramid (1976)
“German acid rock project. The obscure and underrated “Dawn Defender” from 1976 is constantly mysterious, abstract and experimental, delivering interlocking electronic soundscapes punctuated by electric guitar manipulations and echoing effects. The album was originally released Tony Robinson for Pyramid label. A serious “kosmische” krautrock manifestation, a perfect & strange dreamy-like musical journey throw ultra psych textures. Pretty closed to the Cosmic Jokers (first) and A.R & the machines.”
Golem – Orion Awakes (1973)
“An obscure instrumental Krautrock band from the 70s. Ecclectic, psychedelic epic rock with lot of Hammond organs, heavy drums and jamming guitars. Their album Orion Awakes (1973) belongs to Pyramid Records archives. Amazing, catchy improvised free spacey rockin’ trip that can reminds the best efforts delivered by early Pink Floyd, Gila, Dies Irae, Jane.”
Gila – Gila (1971)
“Instrumental improv spacerock extravaganza that can stand proudly alongside better-known works by Ash Ra Tempel, Pink Floyd or Amon Düül II… Gila could jam out the blues with the best of them, but they never found the success that eluded them.”
Verma – Salted Earth (2010)
“Chicago’s coolest new kid on the psych-rock-block brings us a cassetteful of drugged-out atmospheres, scattered with proggy guitar grooves and meandering femme vocals, tense drone and a bit of synth thrown in for good measure. Their influences are all over the place, and they make for one fucking solid product: Try slowing down the bass grooves of Suicide, add two parts Wooden Shjips’ repetitiveness, three parts Black Sabbath darkness, one part horror soundtrack a la Goblin, three parts stoner metal-era Boris, four parts Neu krautscapes, and you’re getting warmer to Verma.”